catapult

Dorothy Buckley ass at datim.cz
Wed Sep 6 13:44:38 PDT 2006


Giovanni e Paolo Venice; Carpaccio, Presentation and Ursula pictures Acad. The doing so would have destroyed unity,symmetry, repose. Life in the sovereign city of the sea was a worthyexistence in itself.
Novella, equestrian portrait Duomo Florence, battle-pieces in Louvre and Nat.
He was one of the great men of the Renaissance, and deservedly holds aplace in the front rank. It was never too sensuous andluxurious, but rather exact and intellectual.
The legend was his delight, and hisgreat success, as the St.
He was notan imitator of facts but a creator of forms and ideas. He was not a great originator,though a man of ability. For his period and school he was rather remarkable technically. Christianity was accepted by theVenetians, but with no fevered enthusiasm. DAUGHTER OF HERODIAS WITH HEAD OF JOHNTHE BAPTIST.
Hiscounter-influence upon Venetian portraiture has never been quitejustly estimated.
Popery, Paganism,Despotism, all the convulsions of Renaissance life threatened butharmed her not.
John Lateran Rome; Sebastiano del Piombo, Lazarus Nat.
Not to attaingreat learning, but to revel in great splendor, seems to have beentheir aim.
His education was a cultivation of every grace of mind and hand. It was in method andexpression more than elsewhere that he showed the Greek spirit.
Novella, equestrian portrait Duomo Florence, battle-pieces in Louvre and Nat. He was more in love with physical life without being anenthusiast over it.
Raphaels refinement in Giulios hands became exaggeratedcoarseness.
Venice; Carlo Crivelli, Madonnas and altar-pieces Brera, Nat. Religion, though the chief subject, was notthe chief spirit of Venetian art. Domenico Bologna, easel pictures in Pitti, Uffizi, Nat.
He was one of the great men of the Renaissance, and deservedly holds aplace in the front rank.
Life in the sovereign city of the sea was a worthyexistence in itself. Nothing in the disposition or education of theVenetians called for the severe or the intellectual.
He said sohimself when Julius commanded him to paint the Sistine ceiling, and hetold the truth.
There was an influence uponMantegna of Venetian color, and upon the Bellinis of Paduan line.
He was the best ofthe immediate followers, none of whom came up to the master. He was a paintermore than a pietist, and was called by his townsmen the faultlesspainter. He was notan imitator of facts but a creator of forms and ideas.
Life in the sovereign city of the sea was a worthyexistence in itself. Anastasia Verona; Liberale da Verona, miniatures Duomo Sienna, St. 
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